Wednesday 1 October 2008

September Forkasts

Three 'Forkasts' For Pitchforkmedia.com

The Big Pink Forkast

The Big Pink are Londoners Robbie Furze (ex-Panic DHH, Alec Empire) and Milo Cordell (founder and owner of Merok Records). The long time friends realized that the music they had been tinkering with in Robbie’s basement was yielding something too special not to tell anyone about.

While all song writing and creative control remains in Milo and Robbie’s hands, in order to play live The Big Pink called on friends to help transfer their music from studio to stage. The band’s rapidly growing reputation as a live act in London has been enhanced by on stage collaboration with guests such as Daniel O’Sullivan (Guapo, Sunn O)), Aethenor), Jo Apps (Planet Mu), Jo Robertson (Ben Chasny, Sunburned Hand Of The Man, Martin Creed, Byron Coley) and Al O’Connell (Engineer: Mystery Jets, Paul Epworth).

The Big Pink’s sound is an encompassing swathe of deftly manipulated static and feedback that acts as both catalyst and backdrop to sequenced and live percussive patterns and layered, entwined vocal, guitar and key melodies.

The stately, building feedback, drone and trebly crescendo of ‘Crystal Visions’ are entirely characteristic of The Big Pink. The track nods to such sonic reference points as the shoegaze of My Bloody Valentine or Spiritualized’s tender adventures in distortion but the track’s chiming chorus and melodic nuance allow it a fragile beauty of it’s very own.

‘Crystal Visions’ will be available as one side of a 7” limited to 500 copies on independent label House Anxiety Records released at the end of September.

Heartbreak ForkastGraffiti Island Forkast

Graffiti Island are three twentysomethings from East London who were all so bored of what was being played at the shows they were attending they decided they may as well start playing some music they actually liked.

Whether by influence or coincidence it remains unclear but Graffiti Island’s stripped back, pared down, lo fi, redolent of early K Records innocence or Flying Nun fuzz has found itself common currency among like minded London bands such as Pens (http://www.myspace.com/penspenspenis), Male Bonding (http://www.myspace.com/malebonding) and Teeth (http://www.myspace.com/teethdance ).

Guitarist Conan Roberts may or may not have played bass guitar in Brighton thrash punk heroes Abandon Ship (http://www.myspace.com/abandonship), drummer Cherise Payne may or may not work for tasteful London based indie record label XL and vocalist Pete Donaldson may or may not look after Rankin’s kids (he definitely does co-run the excellent Voodoo Village blog though which can be found at http://voodoovillage.co.uk/) but they are certainly one of the few truly interesting bands playing in London right now.

Having already supported acts including Les Savy Fav, Apache Beat and Rings during their short existence the band are set to release their debut 7” on London-based vinyl only label House Anxiety Records.

The A Side of that 7”, ‘Headhunters’, is typical of Graffiti Island’s simple, lo fi and rhythm section heavy sound. Sped along by propulsive drums and a nagging, rhythmic guitar line the song features Pete’s deadpan delivery which slips in and out of spoken word on recurring lyrical touchstones including getting lost in the jungle and coveting things like shrunken head earrings. Wait ‘till you hear the one about the Wolf Guy…

http://www.myspace.com/graffitiisland


‘We’re Back’ is the debut single by London based italo-disco duo Heartbreak. While London’s recent italo resurgence has been lead by DJ’s playing out classic sides at nights like Cocadisco (http://www.facebook.com/group.php?gid=17834115290&refurl=http%3A%2F%2Fwww.facebook.com%2Fs.php%3Fn%3D-1%26k%3D200000010%26init%3Ds%253Agroup%26q%3Dcocadisco), Horsemeat Disco (http://www.myspace.com/horsemeatdiscolondon) and Disco Bloodbath (http://www.myspace.com/discobloodbathdisco) the resurgence has lacked an act that can convey the live element so integral to some of italo’s defining moments. You need only look to greats such as Kano (http://www.youtube.com/watch?v=eML6_RZao-w) to realize that Heartbreak might just be the act that the movement needs to truly move from reverence to contemporary innovation and relevance.

Londoner Ali Renault’s informed synths and programming and expatriate Argentinean Sebastian Muravchik’s sincere vocal delivery and live performance elevate the duo from pastiche or tribute to one of the most exciting things you currently pay money to see live anywhere right now. Recent shows have seen stage invasions (http://www.youtube.com/watch?v=3YSn8d4u7cY), general adulation and quite possibly a few tears (unconfirmed).

The Moroder lost in Rimini ‘85 synth stabs of ‘We’re Back’are layered with Renault’s trademark metallic menace which has led some to brand Heartbreak’s sound ‘metalo’. While this might be almost as ridiculous a term as ‘grindie’ it’s not a million miles off. The band does after all list Obituary in their top MySpace friends.

Heartbreak’s first album ‘Lies’ is due on Lex in late September.

http://www.myspace.com/heartbreak1

Graffiti Island Forkast

Graffiti Island are three twentysomethings from East London who were all so bored of what was being played at the shows they were attending they decided they may as well start playing some music they actually liked.

Whether by influence or coincidence it remains unclear but Graffiti Island’s stripped back, pared down, lo fi, redolent of early K Records innocence or Flying Nun fuzz has found itself common currency among like minded London bands such as Pens (http://www.myspace.com/penspenspenis), Male Bonding (http://www.myspace.com/malebonding) and Teeth (http://www.myspace.com/teethdance ).

Guitarist Conan Roberts may or may not have played bass guitar in Brighton thrash punk heroes Abandon Ship (http://www.myspace.com/abandonship), drummer Cherise Payne may or may not work for tasteful London based indie record label XL and vocalist Pete Donaldson may or may not look after Rankin’s kids (he definitely does co-run the excellent Voodoo Village blog though which can be found at http://voodoovillage.co.uk/) but they are certainly one of the few truly interesting bands playing in London right now.

Having already supported acts including Les Savy Fav, Apache Beat and Rings during their short existence the band are set to release their debut 7” on London-based vinyl only label House Anxiety Records.

The A Side of that 7”, ‘Headhunters’, is typical of Graffiti Island’s simple, lo fi and rhythm section heavy sound. Sped along by propulsive drums and a nagging, rhythmic guitar line the song features Pete’s deadpan delivery which slips in and out of spoken word on recurring lyrical touchstones including getting lost in the jungle and coveting things like shrunken head earrings. Wait ‘till you hear the one about the Wolf Guy…

http://www.myspace.com/graffitiisland

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